Prey or Predator…Production Blog #6…

AZMASK

Things are slowly moving forward.

The script for Azrelmelda: The Witch Warrior is undergoing its third rewrite. The story has finally taken shape as we find the character of Azrelmelda on a journey that when complete, has her turning from prey to predator. From sacrificial lamb to a warrior in control of her own destiny.

Of the many tools that the race of women known as the Unfortunates employs are masks made to resemble the Manacenti in order to lure their young-lings away.

Above is a pic of Azrelmelda with her mask.

The mask was designed and fabricated by Katie Lawter.

The Indiegogo campaign is alive and accepting contributions. So far the campaign has raised $300. We thank all that have thus far contributed in helping get this production off the ground.

We still have a long way to go and ask you to please visit the Indiegogo campaign, check out the trailer, read about all the talented individuals who are apart of the production and see if this is a project you could get behind. Thank you.

Witch Warrior Test

http://igg.me/at/witchwarrior/x/1515726

Splinter…

I recently shot the band Splinter at the The Bowery Electric.

splinterpicFronted by guitarist Kevin Hunter and vocalist Nick Fowler, Splinter is made up of seasoned musicians whose six degrees of separation touches just about everyone in the industry. The band, however, is new and they were looking for a preliminary video for securing gigs.

I shot this video on the Canon 5D Mark II, my trusty ol’ 50mm lens and the new Opteka CXS-1 Shoulder Rig that I reviewed in a previous post.

I was very pleased with the results. My neck did get a little sore but that has more to do with the fact that I haven’t been stretching like I should be. (Carrying around a 20lbs baby all day doesn’t help, either.)

The whole rig felt secure on my shoulder and never heavy. I hardly thought about it during the thirty minute show as my concentration was focused on capturing the shot as well as the DFocus.

This was also the first job I used the Zoom H2n.h2n I had been borrowing a friend’s H4n for my previous jobs and was looking forward to comparing the two items.

I was pleasantly surprised by the H2n’s performance. As soon as the band started to play, I set the levels, hit record and then set it up in front of the sound board. The next day I imported the audio into my Pro Tools rig, juiced it up with some Waves and Sonic Sweet plug-ins and found the mastered audio on par with whatever I recorded with the H4n.

Bottom line, the H2n is a fit in your pocket, incredibly versatile digital recorder with a great sound.

And check out the band Splinter! Crack musicians. Solid songs. A great live show. It was a pleasure working for them.

“Azrelmelda: The Witch Warrior” IndieGoGo Campaign…

Witch Warrior Test

The IndieGoGo campaign is alive.

http://igg.me/at/witchwarrior/x/1515726

Please take a moment, even if you’re not planning on contributing, to “like” the Facebook and the IndieGoGo pages.

It goes a long way to increasing the visibility of the campaign in the series of tubes that make up the internet.

Dry Bones…

dry bones

Dry Bones is an independent horror movie written by Gregory Lamberson, directed by Michael O’Hear and starrIng cult actress Melantha Blackthorne.

It is being shot this spring in Buffalo, New York.

greg

Not only is Gregory Lamberson the writer and director of the cult movie classics Slime City and Slime City Massacre, he is also the writer of the Jake Helman series of books and my favorite, the Frenzy Cycle series.

He is also an old friend. We worked together at the Paris Theater in the late ninties. For a short time, he was going to produce my first short film way back in 1998 when a bout of movie making madness took hold. These were the days when DV cameras were running about $2000 and I’m not even sure how people were cutting the footage. I hadn’t actually thought that far ahead.

But I wasn’t letting that stop me. I had written a script and had the actors. We were having readings, production meetings and I was busily assembling costumes. I even had an executive producer to front the money for the camera.

If my memory serves me correctly, we were only a few weeks away from actually shooting the damn thing until one morning I awoke and started to feel another bug creeping on.

In 1996, I had an informal development deal with Interscope Records. I was working with a producer and we recorded 6 tracks to which Jimmy Iovine listened to and then passed on. (He said the tracks sounded “dated.” He was probably correct.)

After that experience, I had pretty much quit my pursuit of rock stardom. Until that particular morning I felt I should give it one more go. I arrived at the theater a little later and made two phone calls. The first to Gregory to tell him I was not going to make the film and instead start a band. He felt that was a good decision. Then I called the executive producer who was also the bass player in my first New York City band to tell him to drag his bass out of the closet.

I then put an ad in the Village Voice looking for a female singer. (This is still 1998.)

To make a long story short, the singer I found was Tanuja Desai-Hidier who would eventually introduce the band to our violinist, Jeannie Kim. Jeannie would eventually become my wife and 5 years later we had our first child, Rose, who will eventually be starring in my first short film shooting this year, Azrelmelda: The Witch Warrior.

Full circle? Maybe.

I should also point out that the the actor who was suppose to be the lead in my short film, Matt Reese, has a role in Dry Bones.

And with that, I’m happy to announce that I’m an associate producer of Dry Bones. Please take a look at the Indiegogo site and see if it’s a project you may want to contribute to:

http://www.indiegogo.com/projects/291738/x/1515726